

Last July (July 2011) I bought an album that I never thought I would own, such is its' rarity, scarcity and price beyond worth. That album was the compilation LP "East" on Dead Good Records. This July (July 2012) the same has happened again. I have bought two releases by Column One that I thought; 1: I would never see and 2: That if I did, I would never be able to afford. But I was wrong thanks to a generous chap that saw I had the two releases listed as "wants" on Discogs and offered them both to me at an incredibly reasonable price.
So this weekend is Column One weekend at Hartop Towers, a marathon Column One weekend of Olympic standard.
"Records" is a 40 minute CDr released to accompany a live performance at the 2002 "Argos Festival" in Brussels, Belgium. Column One were there to perform on the closing night. Here is an extract from the 2002 programme:
Column One
26 okt 20.00/ A.B. Club
The audio-visual collective Column One, founded in  1991 in Berlin, is          shored up by its ideological basis: their  aesthetic approach critically          enlightens on topics like  (contemporary) Western icons, societal structures,          political  points of departure and the media. Earlier the core members           René Lamp and Robert Schalinski had worked on film shorts; as Column           One the two allow themselves to be accompanied – depending on the           nature of the project – by Andrew Loadman, Jerôme Soudan (aka           Mimetic), Wojcek Czern (aka Zia Siodma Gora), Jürgen Eckloff  (Kein          Zweiter, Kino) and Leo Solter (Kein Zweiter and Tornow).  The film and          video work of Column One devotes – not  infrequently via cut-up techniques          and synchronised montage – a  lot of their attention to sound. In          this way the group decodes  the audio-visual ‘reality’ of for          instance advertising,  animated films or video clips in their work, and          re-mounts them  within a new context. As a result the original dialogues,           phrases or treatments are mangled and recast as music. As founding  influences          the group points to the pop terrorism of Psychic TV,  but then also combined          with the radical constructivism of the  author Paul Watzlawik and a string          of film makers including  Derek Jarman, Ingmar Bergmann and Alexandro Jodorowski.          Next to  videos Column One also produces music, a sonorous output where           electro, noise and robot-pop interface. At the closing party of the  argos          festival 2002, the group (represented by René Lamp,  Robert Schalinski          and Jürgen Eckloff) will be presenting a new  audio-visual work. Their          performance gives both commentary and  ironic critique on the theme of          the concert series and  exhibition ‘Pitch – Mutating Turntables’.
The CDr is released by 90% Wasser and limited to 20 copies, hence the reason why I never thought I would see or hear the album. The CDr is 40 minutes of turntablism. Creations built / constructed from lock grooves, run-out grooves, needle drops and jumps etc. Beautiful and textured dancefloor electronics, hypnotic and when listening to I get locked into a world of my own making - peaceful and very happy. The sound of Column One is multi-faceted, for 20 years or so they have never remained stagnant in sound and/or personnel. Not every release is immediate as this one, but every release is essential. My first hearing of them was the Tochnit Aleph double cassette "Live Im Hybridraum" released in 1998 and limited to just 25 copies, my old friend Mick McDaid had a copy - we both loved it so much we put out a bowdlerized version on CDr via our The Mouth Label label. This was the other release that came this weekend that I never thought I would see again.
Anyway, Column One = essential. If you do not know where to start please try there "No One" Box set. 3 CD's and 3 LP's with a booklet, all in one beautiful box.
Pictures.
1: CDr Cover.
2: Inside CDr artwork (extract).
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