Another broadcast. This one was supposed to feature exclusive material by Finnish masters Grey Park, but unfortunately the cassette machine at the studio is still "kaput". The programme also had a possible new feature: Singles by The Glaxo Babies & Eyeless In Gaza were released on the day of broadcast in 1979 and 1981 (respectively) and armed with my copies of George Grimac's Punk Diaries I will try and play at least one slab of vinyl that is relevant to the day of broadcast.
Next show is on April 4, the SoundArt studios are being refurbished over Easter so this programme will be pre-recorded at Dave's house..so it's no use phoning in requests and death threats...save that for normal service on April18.
The programme is uploaded onto Mixcloud. I have a new 'pooter and cannot get into my Mixcloud "Muhsteve" account so have put this in the "Muhmur" account, hopefully all will sort its self out.
Playlist:
1: Amph : "Polar" (Sprachlos Verlag) 2013.
2: Post Scriptvm : "Declension" (Tesco Organisation) 2006.
3: Current 93 : "Time Of The Last Persecution" (Durtro/Jnana Records) 2004.
4: Emeralds : "Magic" (Hanson) 2008.
5: Aaron Dilloway : "Return To Xanox:Final Days Of Marshall" (777 Was 666) 2011.
6: MNEM : "Sediment Thesis" (Kaos Kontrol) 2001.
7: Glaxo Babies : "Who Killed Bruce Lee" (Cherry Red/Heartbeat Records) 1979.
8: Eyeless In Gaza : "Invisibility" (Cherry Red Records) 1981.
9: Tactile : "Hydrokino" (Sentrax Corporation) 2013.
10: Wyrm/Nocturnal Emissions : "Symmetrical Ecstasy" (Roil Noise Offensive) 2011.
11: Alvars Orkester : "Pace" (UFO Mungo) 2005.
12: Throbbing Gristle : "Maggot Death (Studio)" (Industrial Records) 1977.
13: Alien Brains : "Song" (Snatch Tapes) 1981.
***classic from the new wave era***
14: Theoretical Girls : "Theoretical Girls" (Acute Records) 2002.
15: XTC : "Dance With Me Germany" (Virgin Records) 1978.
16: BBBlood : "Mouse Trap" (So I Buried) 2012.
17: Pere Ubu : "Chinese Radiation" (Mercury Records) 1978.
18: Winston Tong w/Tuxedomoon : "Stranger" (Time Release Records) 1979.
*****www.mixcloud.com/Muhmur/muhmur-soundart-radio-broadcast-21032012/*****
Saturday, 23 March 2013
Friday, 8 March 2013
MuhMur SoundArt Radio Broadcast 07/03/2013
Last nights programme was a Neil Campbell special, including a 20 minute piece compiled especially for the show. There were a few minor hiccups, the programme before mine over ran by a few minutes so those who tuned in at nine expecting some astral social madness got some Barclay James Rapist type soft-rock ... still, if you stuck with it ... thanks, the mixcloud download misses all these shennanigans and is available at :
**** www.mixcloud.com/muhsteve/a-bowl-of-campbells-soup/ *****
Vice Versa were the classics from the new wave era (regular item) and I got to play a side of the "1980: The First Fifteen Minutes" EP at the end as Dave (the engineer) had laptop problems and was behind in loading the next programme.
Next programme is on March 21st.
Playlist.
1: Astral Social Club : "Punk Rocker/Mug Cracker" (Dancing Wayang Records) 2009.
(from the LP "Plug Music Ramoon").
2: Walden/Campbell/Plaistow : "Morons" (Agdam) 2011.
(from the compilation CD "Agdam").
3: Neil Campbell : "Muttertown Birdsong Cindy" (No Label) 2001
(from the self-released 7" single).
4: Neil Campbell & Rob Hayler : "False Positive" (Fencing Flatworm Records)
(from the CDr "In Luck").
5: Astral Social Club : Wet Wheel/Hot Wheel (Tipped Bowler Tapes) 2011.
(from the split 12"EP with Tomutontuu).
6: Kufuki : "Dai-Haku-Ryuku (Astral Social Club Remix)" (Wonderyou) 2012.
(from the CD "Kufuki").
7: ESP Kinetic : "Under The Bed" (Music Mundane) 2008.
(from the CDr "Fleck Nor").
8: Cock E.S.P. & Smell & Quim : "L'Odeur Et Le Vagin" (Spite Records) 1998.
(from the 7" EP "Super Noise Penis").
9: Vibracathedral Orchestra : "Brundell 16/01/03" (Gold Soundz) 2003.
(from the 7" Untitled).
10: Flower & Campbell : "Untitled" (Golden Lab Records)
(from a promo CDr)
11: Vice Versa : "Genetic Warfare" (Neutron Records) 1980.
(from the compilation 7"EP "1980:The First Fifteen Minutes").
12: Astral Social Club : "Untitled" (Not On Label) 2013.
(A work in progress piece compiled for MuhMur Radio Programme).
13: Early Hominids : "#1" (Music Mundane) 2009.
(from the CDr "Metatarsal").
14: Iibiis Rooge : "Coro Coro" (Dekorder Records) 2010.
(from the LP "Iibiis Rooge").
15 :Clock DVA : "Brigade" (Neutron Records) 1980.
16: Stunt Kites : "Beautiful People" (Neutron Records) 1980.
(Both tracks from the 7" EP "1980:The First Fifteen Minutes").
**** www.mixcloud.com/muhsteve/a-bowl-of-campbells-soup/ *****
Vice Versa were the classics from the new wave era (regular item) and I got to play a side of the "1980: The First Fifteen Minutes" EP at the end as Dave (the engineer) had laptop problems and was behind in loading the next programme.
Next programme is on March 21st.
Playlist.
1: Astral Social Club : "Punk Rocker/Mug Cracker" (Dancing Wayang Records) 2009.
(from the LP "Plug Music Ramoon").
2: Walden/Campbell/Plaistow : "Morons" (Agdam) 2011.
(from the compilation CD "Agdam").
3: Neil Campbell : "Muttertown Birdsong Cindy" (No Label) 2001
(from the self-released 7" single).
4: Neil Campbell & Rob Hayler : "False Positive" (Fencing Flatworm Records)
(from the CDr "In Luck").
5: Astral Social Club : Wet Wheel/Hot Wheel (Tipped Bowler Tapes) 2011.
(from the split 12"EP with Tomutontuu).
6: Kufuki : "Dai-Haku-Ryuku (Astral Social Club Remix)" (Wonderyou) 2012.
(from the CD "Kufuki").
7: ESP Kinetic : "Under The Bed" (Music Mundane) 2008.
(from the CDr "Fleck Nor").
8: Cock E.S.P. & Smell & Quim : "L'Odeur Et Le Vagin" (Spite Records) 1998.
(from the 7" EP "Super Noise Penis").
9: Vibracathedral Orchestra : "Brundell 16/01/03" (Gold Soundz) 2003.
(from the 7" Untitled).
10: Flower & Campbell : "Untitled" (Golden Lab Records)
(from a promo CDr)
11: Vice Versa : "Genetic Warfare" (Neutron Records) 1980.
(from the compilation 7"EP "1980:The First Fifteen Minutes").
12: Astral Social Club : "Untitled" (Not On Label) 2013.
(A work in progress piece compiled for MuhMur Radio Programme).
13: Early Hominids : "#1" (Music Mundane) 2009.
(from the CDr "Metatarsal").
14: Iibiis Rooge : "Coro Coro" (Dekorder Records) 2010.
(from the LP "Iibiis Rooge").
15 :Clock DVA : "Brigade" (Neutron Records) 1980.
16: Stunt Kites : "Beautiful People" (Neutron Records) 1980.
(Both tracks from the 7" EP "1980:The First Fifteen Minutes").
Sunday, 3 March 2013
Epicurean Escapism Festival 2013
programme
epicurean escapism
projects
tickets / shop
compilation
EPICUREAN ESCAPISM FESTIVAL
15TH OF JUNE 2013
@ MARIE ANTOINETTE
HOLZMARKTSTR. 15
10179 BERLIN
(S Jannowitzbrücke)
Doors: 18 h
video screening starts 19:00 h!
concert starts 20:00 h!
CONTACT
escapism-at-transformed.de@ MARIE ANTOINETTE
HOLZMARKTSTR. 15
10179 BERLIN
(S Jannowitzbrücke)
Doors: 18 h
video screening starts 19:00 h!
concert starts 20:00 h!
CONTACT
EPICUREAN ESCAPISM FESTIVAL
KE/HIL

Ke/Hil is habitat industrial, field work closely observing a deprived and callous population’s behaviour in a hostile environment, while seeking to wipe away the neon gloss from facades, showing gloom and bleakness lurking behind, exposing the ultimate cause for resistance without anything to achieve but resistance going on … - look from inside a precarious scenery! Formed by B.Moloch and W.Herich.
video
POST SCRIPTVM

Active since 1999 the New York City-based Russian duo creates dark electronic music that has been described as concertedly dreamlike, mesmerizing, claustrophobic, and disturbing. The compositions flow from eerie, hypnotizing death ambient structures to abrasive industrial noise, invoking surreal, Kafkaesque mental imagery, as well as an overwhelming anguish of metaphysical horror.
The project is back from a 5-year long break in concert activity to perform its first show in Germany.
"Continuing on an exploration within the original aesthetic of industrial music Post Scriptvm creates track after track of compositions that challenge the preconceived notions of music and reformulate these into a powerful and darkly unsettling amalgamating of noises, distorted sounds and dense thick drones to produce a bleak, sludgy ambience that sits uncomfortably between the dark ambient and death industrial genres whist still having one foot firmly rooted in the old-school styled industrial soundscapes." (Judas Kiss)
"A downward spiraling carousel takes you on a ride through vibrant and surrealist visions of horror, paranoia and civilization in decline with the darkest atmospheres wrapped in mystic transmissions and unholy rituals, acoustic sound manipulation and organic drones. Hypnotizing dark ambient with visceral intensity and flowing analogue pulsations." (Gothtronic)
"Rather than suffocating the listener in endless rounds of rumbling darkness Post Scriptvm transports the listeners down a desolate road of mental imbalance, naked aggression and nightmarish soundscapes. The music is your guide but the journey will only be as harrowing as your imagination." (Heathen Harvest)
website | video
TREPANERINGSRITUALEN

Trepaneringsritualen explores themes of religion, magick and the occult realms of consciousness, taking its musical cues from the old school of ritual ambient & death industrial. Rhythmic and seething at times, and oozing forward with a creeping sense of desolation, Trepaneringsritualen conjures forth bleak but mesmerizing visions of the end-times.
Active since 2008, T × R × P have racked up a fair amount of cassette releases on renowned labels such as Hanson, Small Doses and Harsh Head Rituals, with 2012 seeing the first vinyl appearance in the form of »Deathward, To The Womb« 10" on RTB Records.
website | video
DIETER MÜH

“Murky sound sculptures that verge on aural surrealism from a project rarely glimpsed in the wild” (Feral Debris. 2012).
Dieter Müh is the solo project of Devon (UK) based sound artist Steve Cammack. Dieter Müh were created as a trio in 1994, but has been a solo project since 2009.
The live sound of Dieter Müh (2013) is construction and de-construction of prepared loops and drone walls. Steve works with manipulated acoustic sounds, percussion, metals, glass as well as spoken word.
In the past Dieter Müh have been released by labels as diverse as EE Tapes, Tesco Organisation, Hanson, Harbinger Sound, Xerxes and Licht Und Stahl. The 2012 LP “Heterodoxie” was released by German label Verlautbarung. 2013 and Dieter Müh are working on an album for French label Force Majeure.
Steve Cammack also operates his own label Haemoccult Recordings and has his own radio programme; “Muhmur” on SoundArt FM.
Live in Paris photograph by Sylvie Carteaux
website | discogs
ANEMONE TUBE

Anemone Tube was founded 1996 in South-Germany; since 2010 based in Berlin. The audio works of Anemone Tube are a unique blend of dark ambient, noise, industrial and soundart with a strong psychogenic impact. The use of constantly shifting and altering sounds and moods is possibly one of the most intruiging things about the audio creations of Anemone Tube.
Since 2007 Anemone Tube has been working on "The Suicide Series". To this fieldrecordings made in different parts in the world build a conceptional basis. In a poetic way Anemone Tube combines analytical realism of the phenomenal world with buddhist psychology and nihilist rhetoric influenced by the works of Michael Haneke, Hayao Miyazaki, H.P. Lovecraft and Yukio Mishima. CD and vynil releases on labels such as Auf Abwegen (DE), Peripheral Records (GB), Silken Tofu (BE) and Topheth Prophet (IL).
“Anemone Tube stands out among other projects in the genre not due to the quality of his music but rather the psychological basis of it.” (Encyclopaedia Of Industrial Music, Rafal Kochan, 2010)
"Effectively Anemone Tube achieves a sound that spans the divide between ‘academic’ experimental material and ‘underground’ industrial territory. Likewise within this context Anemone Tube have achieved a particularly unique sound, which these days can be a challenge to say the least within ambient/ industrial spheres."
(Noise Receptor Magazine, February 2013)
Live Performances since 2008 with: Inade (D), Anenzephalia (D), Cut Hands/William Bennett (UK), Troum (D), IRM (Se), Jarl (Se), Last Dominion Lost (Aus), BJ Nilsen (N), Dave Phillips (CH), Sudden Infant (CH), Wraiths (UK), The (Law-Rah) Collective (NL), Hybrids (B), Schloss Tegal (USA), Machinefabriek (NL), etc.
website | soundcloud | video | interview
CON-DOM / MIKE DANDO

Mike Dando, based in London, has been active since the early 80s as musician & conceptual artist and is best known through his notorious, confrontational performances with his power-electronics project CON-DOM. His controversial religious and political artworks have earned him widespread recognition.
We are honored to welcome Mike Dando on our festival, who will present his short films and experimental movies for the first time ever to an audience. More than 50 minutes of video footage had been exclusively produced by Mike Dando for the Epicurean Escapism Festival, and which will also be released on the festival compilation on DVD including 2 more short films not shown on the festival.
video | discogs
_
Visual artists:
ALEX TENNIGKEIT DE
website
ANDREW LILES GB
website
CARMEN BURGUESS ARG
website
DENNIS RUDOLPH DE
website
PHILIP BEST GB
website
RUDOLF EB.ER JP
Wednesday, 27 February 2013
430 Schallplatten (Rumpsti Pumpsti Gallery, Berlin).
Whilst in Berlin I managed to make it to Daniel Lowenbruck's shop; "Rumpsti Pumpsti (Musik)", the kind of record and tape shop we British only dream about (since the closing of These Records). Part of the shop has a gallery / exhibition / performance space and showing now is the Mario Passarotto exhibition called "Es Hangt Ein Pferdehalfter And Der Wand (What Is Love)". Beautifully displayed is 430 vinyl records that reached number one in the German charts from its inception in 1953 up until 1993 when CD Singles sales also counted thus making Happaway's "What Is Love" the final (exclusively) vinyl single ever to reach number one in Germany.
It is a fascinating idea. Chatting to Mario the idea came when he and Daniel were listening to the radio and realised how many "old tunes" they knew the words of, and how pop songs had seeped into their sub-conscious. Audio osmosis in action. This sparked off the plan to collect all 430 number ones and like true record collectors - it is only vinyl that matters.
The collection begins with a few 10" shellacs...including the first number one by Die Killma Haiwaiians. Back in the 1950's it was quite often that the song and not necessarily the artist that reached number one so the same song could be sung by two or three artists and in two or three different languages, it was the sales figures for the song that determined the chart position. The 1960's was the boom of the picture sleeve and the novelty song with some of the sleeves appearing quite "sinister" with pictures of folk who should be on a sexual register rather than a top twenty chart.
It is a great exhibition, and for an old vinyl and chart nut like me unmissable. If you are in Berlin please pop along. Rumpsti Pumpsti (Musik) is on Weser Strasse in the Neue Koln district. Mario was saying that the exhibition may tour.
To commemorate the exhibition Mario has released a double cassette featuring some of his friends and favourite artists to do a cover version of their favourite number one, I picked a copy up but have yet to play ... also Daniel Lowenbruck has layered all 430 records into one track...this I have played and is quite superb. Noise?...yes, but with rhythms and loops to hold on to and a fantastic end that I will not ruin! This is a one sided 12" available at the exhibition and released by Rumpsti Pumpsti Editions label.
Pictures:
1: Die Killma Haiwaiians.
2: Exhibition Leaflet
3: Happaway. (What Is Love?...Where Is He Now?).
4: Mario Passarotto.
5 & 6: Pictures Of An Exhibition.
7 & 8: "36 Aus 430 Von 30" cassette cover. (Packaged like a 7" picture sleeve).
9: The 12"
10: Rumpsti Pumpsti (Musik) Shoppe ...
It is a fascinating idea. Chatting to Mario the idea came when he and Daniel were listening to the radio and realised how many "old tunes" they knew the words of, and how pop songs had seeped into their sub-conscious. Audio osmosis in action. This sparked off the plan to collect all 430 number ones and like true record collectors - it is only vinyl that matters.
The collection begins with a few 10" shellacs...including the first number one by Die Killma Haiwaiians. Back in the 1950's it was quite often that the song and not necessarily the artist that reached number one so the same song could be sung by two or three artists and in two or three different languages, it was the sales figures for the song that determined the chart position. The 1960's was the boom of the picture sleeve and the novelty song with some of the sleeves appearing quite "sinister" with pictures of folk who should be on a sexual register rather than a top twenty chart.
It is a great exhibition, and for an old vinyl and chart nut like me unmissable. If you are in Berlin please pop along. Rumpsti Pumpsti (Musik) is on Weser Strasse in the Neue Koln district. Mario was saying that the exhibition may tour.
To commemorate the exhibition Mario has released a double cassette featuring some of his friends and favourite artists to do a cover version of their favourite number one, I picked a copy up but have yet to play ... also Daniel Lowenbruck has layered all 430 records into one track...this I have played and is quite superb. Noise?...yes, but with rhythms and loops to hold on to and a fantastic end that I will not ruin! This is a one sided 12" available at the exhibition and released by Rumpsti Pumpsti Editions label.
Pictures:
1: Die Killma Haiwaiians.
2: Exhibition Leaflet
3: Happaway. (What Is Love?...Where Is He Now?).
4: Mario Passarotto.
5 & 6: Pictures Of An Exhibition.
7 & 8: "36 Aus 430 Von 30" cassette cover. (Packaged like a 7" picture sleeve).
9: The 12"
10: Rumpsti Pumpsti (Musik) Shoppe ...
Tuesday, 26 February 2013
Dieter Muh #48 : NK Projekt, Berlin. 15/02/2013
The 48th live performance of Dieter Muh took place at the NK Projekt. The performance was an "experimental" affair with myself being joined by Michael Parker on home made electronics and roto-balilika.
I like the NK. I visited last year to witness The New Blockaders and Vagina Dentata Organ rip the place apart...it is nice to still see Jordi's blood on the walls. NK is one of the finest venues I have ever "played".
Also appearing were Allseits and Feine Trinkers Bei Pinkels Daheim, two of Germany's finest.
Allseits (Nina Kernicke) filled the venue with trance like drone walls that had the seated audience hypnotised. Creating loops from guitar, found sound and percussion..very akin to the sound of fellow Bremenites Troum. Loud it was beautiful.
Feine Trinkers Bei Pinkels Daheim created a wondrous racket using radiowaves, turntable looping and contact mic's. I saw F.T.B.P.D. live in London a few years back and t(he)y remain one of my favourite live sounds. Watching Jurgen "fidget" around his table of gadgets and then listen to the sounds created is fantastical.
Dieter Muh crawled onto the stage at around 1 in the morning! Michael and I had played around with sounds together on a couple of occasions but wanted to leave the improvised nature (and sound) fresh for this gig. I have listened to the gig (Thanks Julian for mailing it so quickly ... and cheers Tim for putting on CDr) and there are moments that the sound really worked, but there are moments where my concentration lapsed and sound levels were flying about the place. It was strange being a "two-piece" again after four years of solo performances.
It had been an ambition of mine since the age of (about) 16 to play live in Berlin, and now realised the ambition, and fully enjoyed the experience. The sound will be totally different in June though at the Berlin Epicurean Escapism Event.
If anyone took pictures of Dieter Muh live please get in touch as I have none for my "archives".
Pictures.
1: NK Logo.
2: Jurgen & Nina play an impropmtu improvised set waiting for the doors to open.
3: Allseits.
4: Feine Trinkers Bei Pinkels Daheim.
5: Mario + Nina play with fire(works).
6: Michael entertaining post gig.
Monday, 25 February 2013
Secondhand Record Shops #18 : Comeback Records, Berlin.
Berlin is a beautiful city to go secondhand record shopping in but there is a problem, the problem (for me) being that the shops are not in one district but spread across the (huge) city. Underground train travel is cheap...very cheap...but I was in Berlin when it was -5 degrees and snowing so I stuck to the Neue Koln area and found "Comeback Records" on Hasenheide (Just off Karl Marx Strasse). The shop is mainly rock stock but had a fair supply of "New Wave" where I saw Shoes For Industry, Miller/Rental, Coil + Motor Boys Motor albums all going for a decent price (between 5 and 10 euro). There is also a few boxes of 7" singles under the racks ... under the racks! I have pensioners knees, the days of being on all fours in record shops flicking through vinyl for a rare Metabolist 7" or a copy of "I'm In Love With A German Filmstar" by The Passions are passing. I recommend visiting the shop if in Berlin.
The same day I also found a shop called "Cortex" on Orienberger Strasse, but it was mainly GBH/Nirvana type "punk".....
I also visited a flea market in the Tiergarten that operates on Saturday and Sunday mornings..I saw an Anima LP and Hansa-Plast LP that I wish I had bought, but my bag was full after shopping at Daniel Lowenbruck's "Rumpsti-Pumpsti" shop which is a must if you are ever in Berlin .. but more of that at a later date.
My next visit to Berlin is in June, hopefully the weather will be more conducive to secondhand record shopping...the shops are out there ...
Pictures.
1: Comeback Records.
2: Map drawn for me by Mario (Krube) ... it helped!
Saturday, 23 February 2013
Emil Beaulieau
I have managed to get a copy of the Emil Beaulieau "Anti-Record" that was made especially for the newly opened Fylkingen Record Store in Stockholm. "Driven To Extremes" displays 4 high definition photographs of car dashboards and accessories as well as one of a huge inflatable. Quality stuff. The record itself seems to be sprayed gold then sandpapered smooth. The gatefold sleeve is itself held together by strong electrical tape.
A prized possession.
My son Oscar likes the record..the art work anyway...it was quite difficult explaining what an anti-record was and how that if I gave it a spin it would ruin my record deck and stylus. Oscar had never come across the word "Anti" before. (I must play him some early Clock DVA...ha)...
Pictures.
1: The Front Sleeve.
2: The Anti-Vinyl.
3: Oscar displays the gatefold ...
A prized possession.
My son Oscar likes the record..the art work anyway...it was quite difficult explaining what an anti-record was and how that if I gave it a spin it would ruin my record deck and stylus. Oscar had never come across the word "Anti" before. (I must play him some early Clock DVA...ha)...
Pictures.
1: The Front Sleeve.
2: The Anti-Vinyl.
3: Oscar displays the gatefold ...
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